Tags
imbalance, melodrama, memoir, slice of life, thinking out loud, writing, zen
30 Tuesday Sep 2014
Posted random thought, Uncategorized
inTags
imbalance, melodrama, memoir, slice of life, thinking out loud, writing, zen
30 Tuesday Sep 2014
Posted quotation
in30 Tuesday Sep 2014
Posted quotation
inTags
compassion, grace, happiness, love, mother teresa, quotation, zen
22 Monday Sep 2014
Posted journal entry
inTags
acceptance, apophenia, autism, choice, comfort, family, grief, grokking, Hannah, illusion, journal, loss, love, memory, metaphor, motherhood, quote, robert heinlein, serendipity, slice of life, thinking out loud, zen
(http://thepackaginginsider.com/vintage-packaging-flower-seed-packets-from-the-1800s/) (lovely!)
Journal entry, August 28, 2014
Cleaning house yesterday, on a forgotten shelf I found a shirt of Hannah’s. A stretchy Goodwill t-shirt, powder blue, with folksy flower-seed-packet art on the front. Minor stains, of course, plus a hole in the back collar where someone (I?) had clumsily lopped off the tag. [Shirt tags made Hannah itch.] I held the shirt to my face and breathed it in like an idiot seeking the flowers. But no, it was just that the shirtfront–and then the shirt’s inside–was the only part that hadn’t been exposed to nine years of dust.
And I believed the shirt still smelled like Hannah, believed that I could know–could grok*–her presence, her self, merely through these greedy inhalations of not-quite-random air. I sat on my bedroom floor and pulled the shirt onto my head (think of a blind bank-robber), and then, to a point far past absurdity and fast approaching asphyxia, I breathed in and out its ineffably Hannah smell. (Must, dust, detergent, every mundane staleness, but something of her there too–something.) I chose to feel myself awash in her essence. As in the many dreams I’d dreamed, hope-caught, throughout her life, I felt free once more to slip beneath the surface of Hannah’s embryonic, oceanic world, and to breathe, however feebly, underwater.
I chose to feel–and to believe–all this on such a primal level that the mind had no clue of the choice till it was made. But with a shrug, quite used by now to the heart’s vagaries, the mind humored us both. I nuzzled for one last deep second against the thread-worn seams that defined the shirt’s armpits. Then I pulled the shirt off and held it awhile. I dusted it, refolded it, and–ah, my darling girl, now what to do? Replace it on the forgotten shelf? Cleave it into rags? Throw it away? I couldn’t, can’t, decide this yet.
Ah yes, but still, how well I know: let go, let go, let go, let go.
——
http://en.wikipedia.org/wiki/Grok:
*Grok /ˈɡrɒk/ is a word coined by Robert A. Heinlein for his 1961 science-fiction novel, Stranger in a Strange Land, where it is defined as follows:
Grok means to understand so thoroughly that the observer becomes a part of the observed—to merge, blend, intermarry, lose identity in group experience. It means almost everything that we mean by religion, philosophy, and science—and it means as little to us (because of our Earthling assumptions) as color means to a blind man.
22 Monday Sep 2014
Posted quotation
in22 Monday Sep 2014
Posted haiku, poem, twitter tweets
in18 Thursday Sep 2014
Posted twitter tweets
inTags
absurdity, apophenia, autism, both, coincidence, happiness, illusion, miracle, paradox, randomness, serendipity, surprise, surrender, zen
06 Saturday Sep 2014
Posted Evolving ideas, random thought
inTags
apophenia, both, coincidence, comfort, creativity, freedom, helplessness, illusion, memoir, memory, pareidolia, pattern, randomness, surrender, synchronicity, thinking out loud, writing, zen
The art of accident, the accident of art. Serendipity. Synchronicity. Coincidence. Luck. A world in which “success” and “failure” coexist. Where what feels like choice, also feels like surrender. Finding patterns in wallpaper, a piece of toast, the relative positions of stars–how different is this from configuring a unified plot from my life’s for-all-I-know random moments? Writing a memoir (writing anything) is an exercise in what I want to call “the management of apophenia.” Apophenia: the innate human tendency to find patterns in randomness. Michael Shermer, who wrote The Believing Brain, calls it “patternicity.” (Note to self: maybe I should too?)
So, “managing apophenia.” As far as I can gather, it’s the same practice as what I’ve heard other people call “harnessing serendipity.” At any rate, as I write this book I watch myself collate, from what may well have been a haphazard life, only those moments that my apophenic mind has singled out as vital to my “story”–and meanwhile viewing a million other moments as extraneous, as ignorable white noise. And how many events have I forgotten entirely, or never truly experienced as they happened, because they didn’t fit my evolving, concocted self-narrative? What details have I left out of focus, in the blurry background of the photo? (And don’t get me started on all the things that might have happened to me but happened not to happen.)
Without knowing it, I’ve spent my life culling memories, leaving only those that befit my apophenic self-vision. It’s what we all do, I imagine. It’s how we remember and distinguish ourselves as selves instead of hapless, nameless waves in an indifferent ocean. This is how we make “sense” of it all. When we view the night sky we have two basic choices: to be dumbstruck by chaotic infinity, or to superimpose a mythology.
The trick of it all, it seems to me, is to recognize and manage our innate search for patterns. The first step must be to comprehend that the patterns are indeed self-created, and not (necessarily) objectively “real.” But reality, of course, is a bit overrated. Sometimes a useful fiction gets you farther than a useless truth. We were born to invent a world out of random flecks of residue. The trick, now, is to waken to the whole of it, to understand that background and foreground, importance and trivia, failure and success, are objectively meaningless, so you might as well train your eyes to locate patterns that might help you best explain your myth, metaphorize your story.
06 Saturday Sep 2014
Posted quotation
in17 Sunday Aug 2014
Posted quotation, random thought
inTags
accident, apophenia, art, both, coincidence, freedom, illusion, James Lawley, Leonardo da Vinci, metaphor, Nassim Nicholas Taleb, pareidolia, quotation, randomness, serendipity, transience, wabi sabi, writing, zen
[Pareidolia is ‘a psychological phenomenon involving a vague and random stimulus (often an image or sound) being perceived as significant, a form of apophenia.’]
From wikipedia: In his notebooks, Leonardo da Vinci wrote of pareidolia as a device for painters:
“If you look at any walls spotted with various stains or with a mixture of different kinds of stones, if you are about to invent some scene you will be able to see in it a resemblance to various different landscapes adorned with mountains, rivers, rocks, trees, plains, wide valleys, and various groups of hills. You will also be able to see divers combats and figures in quick movement, and strange expressions of faces, and outlandish costumes, and an infinite number of things which you can then reduce into separate and well conceived forms.”
15 Friday Aug 2014
Posted quotation
inTags
accident, apophenia, balance, black swan, coincidence, grace, James Lawley, Nassim Nicholas Taleb, patternicity, quotation, randomness, serendipity, synchronicity, transience, wabi sabi, zen
“Half the time I hate Black Swans, the other half I love them. I like the randomness that produces the texture of life, the positive accidents, the success of Apelles the painter, the potential gifts you do not have to pay for. Few understand the beauty in the story of Apelles; in fact, most people exercise their error avoidance by repressing the Apelles in them.”
–Nassim Taleb, The Black Swan
“Maximize serendipity: “A strategy of seeking gains by collecting positive accidents from maximising exposure to ‘good Black Swans’.” (p. 307, Taleb) Taleb calls this an “Apelles-style strategy”. Apelles the Painter was a Greek who, try as he might, could not depict the foam from a horse’s mouth. In irritation he gave up and threw the sponge he used to clean his brush at the picture. Where the sponge hit, it left a beautiful representation of foam. –James Lawley (source: http://www.cleanlanguage.co.uk/articles/articles/218/2/Black-Swan-Logic/Page2.html)
14 Thursday Aug 2014
Posted autism, quotation, twitter tweets
inTags
acceptance, autism, black swan, both, compassion, death, empathy, grace, Hannah, happiness, illusion, imbalance, letting go, loss, motherhood, Nassim Nicholas Taleb, play, quotation, randomness, surrender, transience, tweet, union, yin yang, zen
“Love without sacrifice is like theft.” —Nassim Nicholas Taleb
09 Saturday Aug 2014
Posted song
in01 Friday Aug 2014
Posted twitter tweets
in30 Wednesday Jul 2014
Posted quotation
inTags
alan watts, grace, happiness, illusion, play, quotation, serenity, simplicity, transience, truth, wisdom, zen
27 Sunday Jul 2014
Posted twitter tweets
inTags
acceptance, apophenia, both, comfort, death, friendship, grace, imkertje, metaphor, miracle, paradox, randomness, surrender, transience, tweet, zen
25 Friday Jul 2014
Posted quotation
inTags
apophenia, autism, desire, paradox, quotation, ram dass, randomness, surrender, transience, zen
“As long as you have certain desires about how it ought to be you can’t see how it is.”
25 Wednesday Jun 2014
Posted twitter tweets
in27 Tuesday May 2014
Posted twitter tweets
in17 Saturday May 2014
Posted twitter tweets
in12 Monday May 2014
How It Was
If I’d thrown her through the window that night, no one would have known I’d done it. After all, how many windows had she broken already? How many walls had been cratered by the smash of her head? (We even had a standard, bleak joke about it—that we could measure Hannah’s growth by the height of the holes in the plaster.) I could have gone into her room right then, and under cover of dark I could have dragged her to her feet and flung her hard against the one broad pane we hadn’t yet replaced with plexiglas. There’d be no obstructions on the way down, and only hard sidewalk below.
But what if the window didn’t break? Or if it didn’t break enough, if it left her halfway in the room, and only bleeding? The thing was, of course, that Hannah never seemed to bleed, or to damage herself at all, in her plunges through glass. She was amazing that way. She seemed unscathable in the direst of circumstances, and by now we’d gotten so used to her invulnerability that, if I’d thought about it, I’d probably have believed that she could walk through fire without getting burned, get hit by a car without breaking a bone, drink poison and feel only happy effects.
Not that I ever thought of burning her, breaking her bones, feeding her poison. Understand, if you possibly can, that I’d have been the one dashing into the fire to save her, yanking her out of the line of traffic, forcing the ipecac down. It was hardly ever that I seriously considered throwing her out a window.
And even now I was giving up the idea, because I realized that the window probably wouldn’t break completely, so she wouldn’t fall all the way through. I’d have to shove her out the rest of the way, and I knew that was far beyond anything I could ever do. Which meant that Hannah, impervious or not, would surely end up wounded, bleeding, hurt—and not dead—and I couldn’t have borne that. The last thing in the world I wanted was to make her feel even worse than she did already.
***
My firstborn daughter was diagnosed with autism at the age of three. At first the experts we took her to considered hers a “mild” case, and I clung—by talon, by tooth—to that word, “mild,” for several years past the point when everyone else, even the experts themselves, could see that the experts had been wrong. In her seventeen years of life, Hannah never learned to speak her own name, much less to communicate her thoughts, needs, and feelings in any way those of us who loved her could readily understand. And for a long time this seemed a terrible, terrible tragedy to me—this growing realization that she would probably never be able to learn much about the world at large, or follow the plot of a simple story, or play a real game, or make a friend, or fall in love, or live on her own. But it’s amazing what you can come to accept, if you have to, and eventually I reached the point where absolutely none of that mattered to me anymore, and the only thing I really wanted was for Hannah to be “happy,” in whatever form that might take for her, and for however long it could last.
Her “rages,” as I came to call them, began around the time she turned six, and accelerated as she reached puberty (which often comes early to autistic children: Hannah had her first menstrual period at the age of nine). For an hour at a time, sometimes even for half a day, she could, indeed, be very happy—rocking in her dilapidated La-Z-Boy, swinging as if to touch the sky, laughing and swaying as she stood surveying the world from atop the highest banister or playground slide or jungle gym she could find. But in a single, breathtaking instant, all that could change, and Hannah would suddenly let out a shriek and start pounding her head as hard as she could, over and over, against the hardest nearby surface. Sometimes these bouts of pain and fury would last for just a few minutes, but sometimes, and increasingly, they went on for hours.
For the first several years of her rages, she was still small enough to hold down. If you were quick enough you could get to her before she could hurt herself much, and you got to be pretty adept at slipping over her head the special, cushioned helmet the doctor had prescribed. You learned to hug her tightly from behind, to hold her arms close against her chest, and to lean your head backwards and away so that she wouldn’t be able to ram the back of her own head against it.
But somewhere around the time she was twelve or thirteen, she got too big for all that, and it took a team to stop her from hurting herself or other people. The teachers in her special ed classroom would often have to “call a code” over the school loudspeaker, which meant that the burly male gym teacher down the hall would drop everything and rush over to help. At home, of course, we didn’t have such an option, and if I was alone with Hannah when the raging began, and I’d tried everything on my list of strategies to calm her down—music, videotapes, food, play-doh, stress balls, fuzzy pipe cleaners, weighted blankets, holding her, singing to her, providing her with silence and space—I’d often have to give up. My other daughter, Becky, five years younger than her sister, would already have hidden herself in the basement. I myself would try to stay in the same room with Hannah for as long as I could, but over time this became harder and harder to do. Her rages had begun to take the form of attacks on the people around her, and she was dangerously strong. I’d been pinched, clawed and bitten many times, had had my fingers pushed backward to the threshold of breaking, had been nearly knocked out by the crash of her head against mine.
The state-sponsored social services agency for Butte, Montana, is called Family Outreach. Our case worker, Elizabeth, had been coming to the house two or three times a month ever since Hannah’s diagnosis, but though she’d been helpful all along the way—providing us with respite care, at-home trainers, books, therapeutic toys, funding for me to attend autism conferences, a Medicaid waiver to help cover Hannah’s medical bills—she was beyond her depth, as we all were, in trying to deal with Hannah’s violent outbursts. Meanwhile, my own mental health was disintegrating, as was my marriage, and in our family’s last-ditch effort to ease the burden we bought a second home, a cheap little place just a few blocks down the road from where we lived. We called it our “respite house,” and for a while my husband lived there full time. Then for a while, as I continued on the path to falling apart, he and I took turns staying there every night, and sometimes Becky and I would stay there together.
In the summer of 2002, Hannah turned fourteen. Around that same time, Family Outreach decided—I’m not sure just why—to reassign Elizabeth and to provide us with a new case worker. Her name was Maggie, and she seemed young and inexperienced—flustered by the paperwork, all the notes she was supposed to take, the charts to fill out, the various forms we both had to sign every time we met. But somehow she saw immediately what other people in Hannah’s life—doctors, teachers, therapists, case workers, and even (especially?) I myself—had never quite realized: namely, that ours was a family in complete crisis, and that unless a fundamental change took place very soon, we wouldn’t survive.
The first option Maggie came up with was straightforward: we could surrender our parental rights to Hannah, in which case the state would take her from us and set her up in some sort of foster care. My husband and I actually talked this over for a day or two—this business of simply handing Hannah over to the authorities—although I think both of us knew all along that we could never actually do it. So then Maggie came up with her second plan—the plan that saved our lives. We would move Hannah to the respite house, make the place safe and comfortable for her there, and take turns staying there with her each night. Meanwhile, Maggie arranged for an army of caretakers—some of them had been already working for us, but many were new—to work in shifts to take care of Hannah after school and on weekends.
Hannah made the transition amazingly well, and in fact within a week of moving to the other house, she seemed clearly to prefer it to living at home. At first the caretakers came to the house one at a time, but over the next couple of years, as Hannah grew more and more dangerous, it was decided that they needed to work in pairs. Sometimes, especially toward the end, there were three or even four caretakers at the house at once: one woman’s job was just to come in each night at 5:00, cook the evening meal, and give Hannah her nightly shower. Another woman—a specialist in an autistic therapy similar to Applied Behavior Analysis—drove from Helena to Butte every weekend to teach that training method to Hannah’s everyday caretakers. A video-recorder was installed in the kitchen of the second house, so that Hannah’s therapeutic progress could be monitored and the training methods adjusted.
Meanwhile, around the time she turned sixteen, Family Outreach started applying, on our behalf, for a residential group home placement for Hannah. Ironically, though, the very thing that made such placement so urgent—Hannah’s rages—was also the reason she was continually turned down. (After a while, every time a group-home position opened up, we faced an impossible dilemma: if we emphasized how hard Hannah was to handle, she was rejected as inappropriate, but if we played down her violent behavior, then the state saw no urgency in our situation, no reason why a sixteen-year-old girl shouldn’t wait a couple more years before placement.) Still, we kept hoping and applying, because we’d been told that the unprecedentedly high amount of state funding we were receiving to maintain what was essentially Hannah’s one-person group-home set-up might suddenly be withdrawn once she turned eighteen.
If Hannah had lived, she’d be twenty-three years old by now, and I don’t know—I can’t even guess—where and how and with whom she’d be living. But life goes whichever way it wants to, so instead Hannah died, a week beyond her seventeenth birthday, of an epileptic seizure in her sleep. Some people—good people, friends and family, many of whom have shown a notable capacity for making sense on other occasions—have declared her death a “blessing.” I marvel not only at the certainty of such people, but at the sweet relief they seem to find in being so certain. Meanwhile, some six years after Hannah’s death, I myself still don’t know what to think, and I don’t suppose I ever will.
06 Tuesday May 2014
Posted quotation
inTags
apophenia, illusion, math, meditation, Nassim Nicholas Taleb, play, quotation, randomness, zen
06 Tuesday May 2014
Posted quotation
in04 Sunday May 2014
Posted twitter tweets
inTags
compassion, love, paradox, surrender, thinking out loud, tweet, yin yang, zen
I think it’s time we finally started believing in what we already know.
04 Sunday May 2014
Posted quotation
in15 Tuesday Apr 2014
Posted twitter tweets
in15 Tuesday Apr 2014
Posted quotation
in12 Saturday Apr 2014
Posted quotation
inTags
acceptance, friendship, love, marriage, patience, quotation, serenity, surrender, zen
11 Friday Apr 2014
Posted twitter tweets
inTags
acceptance, don't know, helplessness, imkertje, metaphor, mushin, paradox, surrender, truth, tweet, writing, zen
Some days I don’t feel like searching [through clover] for [four-leaf] metaphors. I want to tell this story straight, for once–but I honestly don’t know how. As it is, can you glimpse it, love? Could it be hiding, maybe, in the spaces between my words?
10 Thursday Apr 2014
Posted quotation
in01 Tuesday Apr 2014
Posted twitter tweets
in31 Monday Mar 2014
Posted Uncategorized
inTags
24 Monday Mar 2014
Posted Uncategorized
inTags
absurdity, albert camus, marx brothers, mushin, no-mind, play, quotation, zen
24 Monday Mar 2014
Posted twitter tweets
inTags
balance, both, metaphor, non-duality, paradox, thinking out loud, transience, tweet, yin yang, zen
20 Thursday Mar 2014
Posted Evolving ideas, journal entry, random thought
inTags
adventure, bliss, bruegel, freedom, grace, icarus, illusion, metaphor, paradox, play, surrender, thinking out loud, zen
Glancing up from armchair reverie, I watch two BASE-jumpers on a PBS documentary called “The Birdmen”. They leap from the fabulous cliff, wearing suits with stunted wings—not so much wings as webbing, as if their outflung arms and legs are tissued to their bodies–brightly flavored sails that billow as the young men fall. They look like neon kites, these men, and they fly seemingly free for a long while–relatively speaking–and then when the time is ripe they open parachutes and float the final yardage to the ground.
As the first one lands, the camera rushes in and asks how-do-you-feel. The jumper shouts terrific great whooohooooo. Then the other man returns to earth and the camera can only, mutely, watch as the flyers recombine—wide-eyed, whooping, babbling but articulate, reviewing every millimoment—each angle of the sun, each sudden rocky outcrop, each barely traversable river of wind, and it’s clear not just that they’re brothers now, at least for this moment, but that the two of them speak a language different from the rest of us–an idiom very complex, full of shortcuts and inside jokes, exotically precise in its vocabulary, references, metaphors, silences. We are, all of us—or nearly all of us–outsiders to their vision. They have no way, not really, to explain who they’ve become, who they’re becoming, who they’ve been all along—no way and maybe no need to explain such impossibles to the earthbound likes of us. Even when, later (as I half-hear them, from the kitchen now), they conjure similes (“free as an eagle”…) to express to the camera the feeling, the meaning of their adventure, comparisons don’t help; the abyss between us is unbridgeable. We can’t know what they know unless or until we do what they’ve done.
And this is an essence of zen, too, I think—if you meander far enough along the nowhere path, you start to learn and speak, however haltingly, a language no one else can know unless they’ve been here too. And it can leave you feeling alone, if you don’t feel a partner beside you on your adventure: someone in the same clownish, precarious costume, poised atop the same magnificent cliff, wishing you smooth sailing as you both leap—whooohooooo!–into the void of no-mind. It can feel lonely, plunging into that placeless place alone. But of course you have to not-mind feeling precisely thus, even as you also see–with your usual wry laugh at how (again!) you’ve had to re-recall it–that you’re not alone at all. We’re all flames in the fireplace, dancing like puppets up from behind a guileful log. We each seem singular, independent of each other, so that it’s only when we really look–beneath, behind, around, past, through–that we see how fused we are. We’re fingers of the same hand, leaves drifting downward from the same tall tree, offshoots from the same root, flames rising high and low from the same all-nurturing, all-consuming fire.
18 Tuesday Mar 2014
Posted quotation
in16 Sunday Mar 2014
Posted quotation
inTags
aging, death, imkertje, love, miracle, shakespeare, surrender, time, transience, zen
That time of year thou mayst in me behold
When yellow leaves, or none, or few, do hang
Upon those boughs which shake against the cold,
Bare ruined choirs, where late the sweet birds sang.
In me thou see’st the twilight of such day
As after sunset fadeth in the west;
Which by and by black night doth take away,
Death’s second self, that seals up all in rest.
In me thou see’st the glowing of such fire,
That on the ashes of his youth doth lie,
As the deathbed whereon it must expire,
Consumed with that which it was nourished by.
This thou perceiv’st, which makes thy love more strong,
To love that well which thou must leave ere long.
16 Sunday Mar 2014
Tags
16 Sunday Mar 2014
Posted review
inTags
acceptance, habit, patience, serenity, slice of life, surrender, transience, zen
15 Saturday Mar 2014
Posted twitter tweets
in