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is this anything

~ a compendium, by Nancy Coughlin

is this anything

Tag Archives: love

Henryland now (a poem)

18 Tuesday Jul 2017

Posted by is this anything in encomia, poem, writing

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love, marriage, poem, writing

 

fun fair

Henryland now

Waiting for Henryland now.
Piano jazz on the family iPod.
Knowing he might walk in
sometime within this very sentence.

Or this one.

…No, not yet, but soon.

Henryland: a funfair
for middle-aged war vets.
I know shortcuts to the sweetest rides,
I know the thrillingest car
on the stroller coaster.
Total access, free chili dogs,
an all-night ticket. No lines,
no crowd. Just my husband, me,
and Oscar Peterson.

Henryland: my latter-day
reward for taking all those classes.
(This thesis took me
thirty years to write.)

Henryland: my recompense.

And in the yard a gallery
of rusted iron: the broken ones.
We don’t ride those anymore.
(People kept getting killed.)
We should haul them to the dump,
I know, but we’re lazy, and, besides,
they’re cenotaphs. They’re modern art.

Someday I’ll write a poem called ‘How
to Love Someone,’ but this might do, for now.

love to a mom whose blog I just read (from my memoir)

09 Tuesday May 2017

Posted by is this anything in autism, memoir, parenthood

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autism, love, parenthood, surrender

motherchild

“To those who may be new to the business of maternal regret: you’ll have to give it up, I think, eventually—if only to calm the gentle friends telling you that no, no, you did the best you could, no one could have seen this coming, you were a great mother. It won’t be an easy surrender. In the first place, forget “great.” Try saying just this, right out loud: “I’m a good mother.” Never mind that you stumble, that you want to change the word “good” to “adequate,” or “not too bad,” or “better than my own mom, anyway.” That you itch to slip in at least a “maybe” or a “sometimes.” Dilute the statement as your shame requires—but only in your mind, and no longer aloud. You’re trying to soothe people, after all.

“Nonetheless, you really will let it go, eventually. I don’t mean the guilt, necessarily. No, for all you know, the guilt will always ebb and flow, in accordance with lunar whim. You’ll get used to it. But what you will surrender, eventually, is the notion that your guilt makes you exceptional. You’ll discover, in fact, that it reveals you merely as a member of a beautiful, fallible, self-lacerating tribe. After all, when in your life have you met any woman willing to admit she’s a good mother?”

–excerpted from my memoir, The Myth of Solid Ground 

for Mary (a sort of essay)

22 Tuesday Nov 2016

Posted by is this anything in Evolving ideas, Uncategorized

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Tags

America, essay, love, zen

This is for Mary–my gentle friend and sister to my soul.

Like a lot of us these days, you long to understand why our nation is so polarized now, at a time when, as you quite rightly say, “both ‘sides’ need to listen to each other!” I know you mean it when you ask me to “comment” on your worries. Still, I hesitate.

For one thing, I used up all my weekend brainpower making up the song list for yesterday’s radio show with Henry. I chose songs that depict what I might as well call “the male predicament”: songs about what it might mean to be a “strong man” in our society, and they included as many points of view as I could fit into a two-hour show–from Bo Diddley’s “I’m a Man” to Will Smith’s “Just the Two of Us” (a sweet rap about fatherhood). It was a lot of fun, and it also, come to think of it, served as yet another experiment in compassion, for both Henry and me. Thus, all weekend (and, what the hell, all my life) I’ve been groping with the very question implicit in your facebook post: how do we empathize with people who see the world from angles completely foreign (and all too often repugnant) to our own?

For the show, Henry and I each chose a song from our childhoods that exemplified for us, in those old days, the “ideal” man or woman. It turns out that, when I was a kid, my ideal man was epitomized by Jimmy Dean’s “Big Bad John.” Henry’s childhood dream-date, meanwhile, lies captive within the lyrics of Tammy Wynette’s “Stand By Your Man.” We played both those songs and then talked about our picks. My childhood’s ideal was a huge, physically omnipotent man–more “icon” than “human”–who remained a stranger to everyone who met him, who never spoke or expressed an emotion, whom other men worshiped but also feared, and who ended up sacrificing his unknowable life in order to save the lives of his crew. Henry’s ideal, meanwhile, was a woman of endless love and loyalty who never questioned her own dull premise: that the opposite sex is no more than a walking catalog of selfish and incomprehensible behavior that must always, always be found acceptable.

No wonder we grew up so screwy. Both songs are great, I think, and certainly both embrace such virtues as loyalty, strength, self-sacrifice, even love. Otherwise, though, look at the picture. Henry–I think he’ll concede this point–is not Big Bad John, nor would I ever want him to be. After all, thank heaven Big John died young, because, wow, just imagine how boring he’d be to grow old with. Meanwhile, I became a “stand by your man” sort of woman only once I fully realized that I’d finally found a man worth standing by–a man who, not coincidentally, stands by me too.

Henry and I have walked a long tough road to get to this place of (relative) equilibrium. And I mention it, I guess, because it’s the same sort of road we all have to walk, every day, all our lives. In our 30-year marriage (which, for years, we’ve dubbed “The Endless Conversation”), Henry and I have never allowed ourselves (much less each other) a place to plant our feet and say, “This is as far as I go.” No, like it or not, we just keep on moving–evolving, regressing, evolving again… In each of us, you see, there’s still that little kid self-haunted by gender rules that don’t really fit anybody, much less the peculiar likes of us. We’re each still self-taunted by absurd but bone-deep archetypes we were taught to want or to become, but which simply don’t make sense anymore, if they ever made sense at all. It’s a tightrope path–this trek toward mutual sanity–but we keep stumbling along it, if only because we’ve left ourselves, and in doing so have left each other, with no other choice.

Anyway, my point (and I do have one!) is that America is like a marriage. We have to keep talking and listening, empathizing with the other’s pain while never letting go of our own best values, and never ever feeling too afraid to challenge anything that seems to us intrinsically wrong and/or absurd. It’s almost certainly true that, as your post suggests, “both sides” of America (though there are really many more than just two sides, of course) need, metaphorically speaking, to meet with a marriage counselor and talk this whole thing out like reasonable adults. As to whether it’s simply too late for that, or whether it’s never ever too late–I honestly don’t know. All I do know is that our national therapist has her work cut out for her, because America’s disagreements this time are so huge and so personal that the gap between us seems unbridgeable.

Here’s a strange and more or less unprecedented fact of my lifetime: The rise of DJT (I still can’t say his name–that’s how deep this goes for me) seems actually to have made half the country physically ill. Everywhere I listen or read, I hear from people who feel like they’ve been “kicked in the teeth,” who live with a “knot” in their throat, or a “permanent migraine,” or a fear so primal it keeps them from remembering what hope, much less patriotism, used to feel like. As for me, the election’s impact was just as visceral. It plunged me (almost literally) back into a moment when I was six years old, playing in the yard, and Paul K., a kid from down the block, came over to where I stood (I was singing “Que Sera Sera” and braiding dandelions through my hair), and punched me–really hard–in the stomach. (His irrefutable explanation: “I always wanted to see what it felt like to punch somebody in the stomach.”)

This isn’t normal. That is, I don’t normally feel punched in the stomach when my candidate loses. Even eight years of George W. Bush (who was, to my mind, a dangerous idiot) never made me feel the way I feel now. And the fact that (at least) half the country feels similarly–that we’re suddenly bonded by a shared sense of deeply personal violation–has given me a mirror worth looking into as deeply as I can.

As I write to you, my mind keeps returning to a thought I’ve heard a lot lately–something along the lines of “If you’re not worried these days, you’re simply not paying attention.” And that thought leads me to memories of other American moments that deserved more attention than I could afford to pay at the times they happened. Basically, I was so busy fixing the holes Hannah made by ramming her head into walls, that I barely had time to notice holes in our economy, holes in the ozone layer, holes in our democracy itself. But for better and worse I’m less busy these days, so I can afford to spread my compassion a bit further than my own battered living room. It may be, in fact, that I actually have space in my heart now for all of America–not only for my family and the other tribes I belong to, and not only for that much larger group of Americans–people of color, Muslims, Latinos, Jews, the disabled, the poor, the LGBT community, other women (in short, the usual suspects) who will be hurt far more deeply than I will by this deeply anti-American moment.

But my heart makes room, too (for it’s been stretched out a lot over the years), for the people who’ve been shoved by economic and societal changes into a despair so deep and self-contemptuous that they can’t help but long for scapegoats (see the above list) and saviors (see who they’ve chosen; see who and what the man they’ve chosen is choosing). I’m talking here about an underclass of people so seldom acknowledged, so often ridiculed, so little valued that this election seemed to them, as I’ve come to read and understand, their last and only “chance to be heard” before they drown.

For such people, the American dream has turned nightmare, and I think I know a tiny bit about how that might feel. It’s true, they’ve made a terrible mistake–in brief: they’ve elected someone who will almost certainly make their hard lives even worse–but I’ve been where they are, and done what they’ve done. In times of my own despair, I’ve longed for both scapegoats (who, in my case, took the form of benighted doctors, quack therapists, a country that refuses to support its neediest citizens), and saviors (e.g., that cohort of fraudulent or well-intentioned “experts” who assured me they could “cure” or at the very least “help” my daughter).

I can interpret the voice of that underclass, I think, even when it emerges as a primal howl. I can feel the terror on “both sides” as we confront a future that’s left both feeling, as the catchword says, “disenfranchised.” We both, we all, feel so deeply betrayed by our country these days–that’s what it comes down to, isn’t it? And now, or anyway soon, we need to work together–somehow–to actually build the America so eloquently and emptily promised to us by our founders, the “ideal” America we all pledged to believe in when we were kids.

In all honesty, the only group of voters I still can’t understand are the ones who voted for Trump and then, having quickly locked their car doors from the inside, drove safely home to gated communities, comfortable homes, successful careers, and a whole lot of money they’d just as soon, thank you very much, not pay taxes on. These are the only members of “the other side” I still need to hear from, in fact–but they’ve been keeping their thoughts to themselves, at least when I’m in the room. (Occasionally they break their silence to shout, “I’m not a racist!” but that’s as far as the conversation’s gone, so far.) Such smart but tiny-hearted people, it turns out, are also part of the family I hold in my heart, and have been holding, all along. Which is maybe why they scare me most of all.

So, anyway, that’s my comment, I guess.

Much, much love,
Nancy

I feel you now (poem)

07 Friday Oct 2016

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apophenia, grief, illusion, imkertje, loss, love, poem

twins

I feel you now
(aan mijn imkertje)

I prayed you’d let me feel your presence here
as fiercely as I feel your absence. You,
imaginary guru, heard this plea,
condoned my wish. I feel you now, more true

than life, for even as I take my rest
in you, I’m wrested thence. I’m all at once:
so utterly aggrieved, so thickly blessed–
so blinded by your panoramic glance.

dog-sitting in Seattle (journal entries)

14 Wednesday Sep 2016

Posted by is this anything in journal entry, Uncategorized

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love, surrender, thinking out loud, transience, writing, zen

 

castle secluded

September 11, 2016

The sounds alone would be enough. I’d know just by the beeps and rumbles, helicopter ratatat, the nearly constant sirens, and a train whistle that sounds just as anxious/urgent as the police car, so that you can’t help but think they both must be chasing the same mad killer.

But you’ve got the colors too. You’ve got Puget Sound—how to describe the complex geometry of water? The ripples, wakes, and wavelets, all those intersections, all those patterns, the shifting gray/blue/silver, and oh how the sunlight spotlights every tiny peak of wave—and all of it in constant flux. I could get easily lost here, in this gaze to my immediate left. I’m a “pattern thinker,” if that’s a thing. I see it all—there’s buildings too, and boats and planes—as shapes and angles and delightful juxtapositions. The space needle I could see if I got off this couch (I pause as another seaplane passes), but I can see its reflection anytime in the glass of the corner window. So many helicopters here! Some miles distant, silver beads decorate a latticework overpass—sun glinting off car windows. Motorboats and sailboats, tugboats tugging barges just like in the movies. The V shape of migrating geese. The V shape of a cabin cruiser’s wake. The collision courses averted long before you can even hope for a catastrophe. All the coming and going. I could watch this glittering sea forever, I could hypnotize myself.

I pause to hypnotize myself. It works.

***************************

Always some emergency. Soft then loud the sirens. They Doppler in then out. You never hear them stop, they only fade away. They’re always going somewhere else. They all are, everybody out there, the ferries and the sailboats, that sun-dotted line of rush hour cars. They’re always going somewhere else. I saw a motorboat make two figure eights—two figures eight?—and it was all the more beautiful for having nothing at all to do with me. Life dazzles when you watch it from the 24th floor. So many people, and everyone going somewhere, but—what luxury!–nobody headed up here.

&&&&&&&&&&&&&&&

Still, there’s no sanctuary. Enough pain all around to fill the oceans. Mary [my friend and traveling companion] and I, on the 24th floor, we know too much, feel too much, even at this altitude. We know they’re all down there, afraid. And even if these walls were made of lead, Mary would still hear the crying, because she keeps her cell phone on.

Today I won’t ask myself all those rude questions I’m always asking myself, like “Just who do you think you are, anyway?” and “Don’t you have work to do?” No. No interviews today, please. Today I’ll mind my own business instead. Eventually I hope to understand that I’ve never actually had any business to mind.

Just this sunlight.

(((((((((((((((((((((((((

September 12, 2016

I know I’m not obsessed with fame, because I keep forgetting to check to see if that agent’s written back. Surely I’d be checking every hour, the way Mary checks on John [her son, who’s having trouble] when he’s feeling dire. Neither am I obsessed with—let me think of all the things I seldom think about: power, looking pretty, other people’s opinions, money, being loved, my own death, my own self.

I am obsessed—let me aggregate my hauntings—with the pain of the world. Merely that. I carry it with me in my chest—it’s the heavy stone on which my heart is founded, the crag on which it’s built its aerie, the reef on which my ship is wrecked. (Etc.) The pain of the world. Here on the 24th floor I merely hear it ebb and flow outside, as if from far away. Within the apartment, I feel Mary’s suffering more fully than I would ever choose to feel my own. Mary and John, both of them—in my mind they’re dancing, holding tight to each other, in a hurricane. I can only witness. It’s as deep a hurt as I’ve seen in years, and I’m honored to be let into it a little. Too, I feel my own helplessness as a familiar stab—another everyday reminder that I’ll know peace when I finally learn the simple, impossible trick of surrender, and not a micro-moment before.

Then too—how tedious I am!–I ache for Harley, the tiny, arthritic, heart-diseased dog who lives here too. (“A beautiful soul I’m glad to have near me”—that’s how we each would describe the other, I like to think.) No need for words. With Mary, too, no need for words. We nestle today in separate havens, me in the living room, her in the bedroom. We like to be alone together. This is all the outside world I need, I realize—someone to be alone together with—and even that only occasionally.

(I pause to watch a motorboat zig across the sound, its wake at first an S, then a snake, and then gone.)

The usual question: is this anything? If it isn’t, what is? Not fame, not power, not anything on that dull list. This much, by now, is absurdly obvious. But what about the pain of the world? It’s my deepest obsession–my only one, maybe, on my least self-burdened days. The one I can’t give up. I feel it en masse—inhale it like a dampness in the air.

But this generalized ache is old habit by now, and bearable enough. By now it’s only the particular that kills me. My brothers and sisters, my daughters, my husband, my dogs, my friends. A crumpled homeless man I dare to glance at.

If everyone would just be happy already, I sometimes think, then maybe I could finally relax.

8888888888888

Or maybe I  keep myself obsessed with other people’s pain in order not to feel my own? Or maybe it’s just a substitute for ambition? What is my own pain, anyway? And what ought I be ambitious about? Sometimes I see how lazy my mind is, how it starts a question or a train of thought, but can’t seem to bother to finish it. I feel, so often, half-asleep. I stare out the window. I breathe in and out. Hours go by this way.

^^^^^^^^^^^^^^^^^^^

September 14, 2016

I was going to post that in my blog—the part about the pain of the world and all, but when I set it there, and read it again, all I could see was my own silly narcissism. I wonder if I’ll ever get past it. Or am I supposed to embrace that too? How about I give it all up, and just watch for a while? How about I don’t try so hard to know what I’m doing, and just do it, whatever it is?

Sitting here again, watching the boats on Puget Sound. Listening to the sirens, typing not because I have anything to say, but because I like the clickety clack of the keys. It’s a fabulous sound—the tip-tap-tip of success. So I make a resolution: just type to type, just fill the page with words because why not. If I could dance I would dance even when I didn’t move at all. Even standing still in an elevator, I’d be dancing, in my bones. Just as now I am always singing inside, and always writing. It’s like how Mary practices her Mendelssohn concerto inside her mouth, tapping each note on her teeth with her tongue. Such essences can’t be detached and put away, they’re integral to the body’s every molecule. So why do I insist on separating all my parts as if they’re separable? Always looking to put things in their proper bins—my marriage, say, or my writing, or my thoughts one day versus my thoughts the next. Let the contradictions blend together, I say now. I’m as tired of thinking my thoughts as I am of trying to dodge them.

%%%%%%%%%%%%%%%%%%

A simple, impossible thing (a poem)

29 Monday Aug 2016

Posted by is this anything in poem, revision

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absolution, comfort, friendship, grace, home, longing, loss, love, memory, poem, revision, surrender, writing, zen

A simple, impossible thing

1
A memory that breaks my fall: the winter night we climbed
the mountain tower, and Maggie, in her scarf that matched
her lipstick, in her nimblest sneakers, hoisted her blithe
body onto a parapet, so naturally I thought why-not, began
my own uppity fumble–yes, but you agreed with gravity. You
held my shoulders, laughed and said oh no you don’t.

2
You who cage such raucous grace beneath your ribs that even
its muted, chastened flutter flies me back to the once-upon
world of my babies. Rolling together in the bay-window room,
one saggy end of baggy bed to other, goofy giggly, basking
in the sun’s noblesse oblige approval of our basking
in the sun. You make me ache (but sweetly—how??) for my two
girls. As they did, once (those days cut short by random
knife), you invite me, for a visit, back to Eden.

3
A sentence from the book they’ll write of us someday:
“From opposite sides of the crowded room, they sent each
other smiles of warm encouragement.” Note the cool
authority, dear one: third-person, omniscient. I too will bear
mere witness then. I’ll delegate our story to the crone
I’ve only glimpsed so far: the all-aware third-
woman solving crosswords near the mirror-hall exit. If only
I could catch her now, could pilfer her quintessence
prematurely… It’s a maze, you (don’t) know: this
fissure lit only by cavewoman’s torch. This life
of the unreliable narrator. (Long-standing English-major
wish: I’m Huckleberry Finn, and wise beyond my knowing.)

4
You might, moreover, note (or not) how I grow tired—or, no,
how I long to grow tired—of picking at the threads
of vagaries–my half-concocted memories and clues. Not just
the strands that lead toward you, my love (though you’ve
reason to think they all lead there), but others too,
spreading like jellyfish tendrils (let’s say) across
mandalic seas. How deep-down, how finally I want to have
already said all I’m still so dumbly bent on saying.
Then, afterward, to fall into that haven uncannily
coincident with the hollow between your chest
and collarbone, that nest we built from twigs and wine
one summer night, and have never yet flown far from. Forever
I rest there in times of near-asleep and near-awake. Forever
you’re my respite from that double-edged hope: to lose
all need to talk or write, or to trip across the miracle
of telling all, just once, and plainly, and then to let it
let me let it go, absolved at last of everything but love.

Image

version (a poem by my daughter, Rebecca Gonshak)

13 Wednesday Jul 2016

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autism, compassion, grace, grief, Hannah, helplessness, loss, love, memory, poem, rebecca gonshak, transience, words, zen

Two kids in the bath again,
me just a smaller version of you.
If you cried, I’d sing
like a miniature mother, Moonshadow
and Bye, Bye, Blackbird. No, I didn’t sing
Bye, Bye, Blackbird then. Oh well, all memory is a lie.
You used to run from wall to wall of the house,
but did I really run after you?
I’m older than you now
but I still feel like a version of you.
That’s an invention too, I can’t say what you meant
in your silence. But if I could go back to that bath
and our feet could touch, and you splashed
– I know you would splash –
I would sing and sing until I lost all words.

                                            Image

a good start (a tweet)

20 Monday Jun 2016

Posted by is this anything in twitter tweets

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acceptance, crazy, happiness, love, randomness, serenity, tweet, zen

At the point when I no longer care whether it’s me who’s crazy, or everybody else–that’s when life gets interesting.

Image

broken (a quote from Anne Lamott)

01 Wednesday Jun 2016

Posted by is this anything in don't know, quotation

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acceptance, anne lamott, grace, grief, love, paradox, quotation, surrender, zen

“You will lose someone you can’t live without, and your heart will be badly broken, and the bad news is that you never completely get over the loss of your beloved. But this is also the good news. They live forever in your broken heart that doesn’t seal back up. And you come through. It’s like having a broken leg that never heals perfectly—that still hurts when the weather gets cold, but you learn to dance with the limp.” ― Anne Lamott

rain-dancing woman

 

With winter nearing, I remember spring (a poem)

23 Monday May 2016

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acceptance, apophenia, death, freedom, grief, love, memory, mom, poem, transience

Flower With Snow 11

With winter nearing

With winter nearing, I remember spring:
A fickle March, before my mother died.
Her bed lay flush with window. Side by side,
We watched another snowfall—wondering

At all the forms a snowflake takes: like bone
Turned ash, like milkweed floss, like feather.
Tonight they fell in tufts that clung together,
But for a few who braved the fall alone.

Heavy, wet, yet floating. It was night,
The storm lit from beneath. (My mother’s room
Was lucky, disconcerting midnight gloom
By posing, drapes pulled wide, above the light

That advertised the doors below, where hearse
And ambulance were meant to go.) We watched
The snow in halogenic awe untouched,
Unbroken now, by dietician, nurse,

Aide, hospice worker, laundress, orderly,
Their squeaking soles no longer restless hounds
That whined and sniffed at daylit doors; their rounds
Unspooled at last. And so we lay there free.

We lay there, clumped and clinging, and we felt
That we might never die, but only melt.

The odd things we love, when we love (a poem)

11 Wednesday May 2016

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apophenia, cats, choice, dogs, illusion, love, marriage, metaphor, poem, surrender, transience, wanda gag

 

dogs

The odd things we love, when we love

Henry cares only for films about humans. Except
when he’s high, when he garners delight and soft
consolation from the documentary adventures

of other mammals. Dogs, in particular, warm his
weary cockles. He loves dogs more than any lover
of dogs I’ve known before, and I don’t mind telling you,

I’ve known my share. If I had nothing else to love
him for (but really there are ninety-seven things,
which I intend to list ad nauseam in future poems–

stay tuned!), I’d love him merely for his earnest
love of dogs.        And yet, if one day he went mad,
and started loving cats (against which I hold nothing,

due to allergy), I’d click my heels and spin around, and
love his love of cats. Because, you know, that’s how
we got here. That’s how it’s worked, so far. Ailuromania*,

to give but one example, becomes just the thing at hand,
the current metaphor: a pin, a peg, a cross, a stake,
a nail–a strong, convenient hook to hang our love on.

millions-of-cats-man2

*ailuromania: a passion for cats

Now (a poem)

01 Sunday May 2016

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acceptance, compassion, eternity, helplessness, loss, love, marriage, metaphor, now, poem, surrender, thinking out loud, transience, zen

puddle2

Now

I pause to think how lonesome-long I’ve felt
that snowflakes never die but merely melt.
And so with us: this small, liquescent love.
We started–aimless, frozen flecks of fluff…

You know the rest, if either does. I’ve guessed
at reasons for our muteness: coalesced–
a lukewarm puddle, now—we know we know
already what the other knows (and more).

We pre-discern the gist of sighs. Each stone
that shocks the other, ripples as our own.
You wake so early, now. I sleep so late,
abiding time till we evaporate.

dangerous (a tweet)

14 Monday Dec 2015

Posted by is this anything in twitter tweets, zen

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love, surrender, tweet, zen

We embody love simply by yielding to it. We let people in. We know it’s a dangerous neighborhood, but we leave the door open anyway.

Tigers at the Tiger Temple in Kanchanaburi, Thailand - 26 May 2013

 Photo by Paul Brown / Rex Features 

 

 

love (a quote from Iris Murdoch)

22 Saturday Aug 2015

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iris murdoch, love, quotation

“Love is the difficult realization that something other than oneself is real.” –Iris Murdoch

boy deer

Groupie (a poem)

26 Friday Jun 2015

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love, metaphor, poem

Groupie

I went on google images just now
and stared at your face in a thousand
poses. And every now and then among
the different yous, for reasons I still
don’t get, there’d be juxtaposed right
next to you something not-you. A girl
on a horse, say, or Clint Black, or
the periodic table. Needless to say,
this was distracting. Then suddenly I
thought, but no, it’s true! You are a
girl on a horse! You are Clint Black!
You are the periodic table! And I fell
headlong into the chasm of knowing all
your metaphors at once, was ravished
by the army of your chameleon selves.

Plenary (a poem)

07 Saturday Mar 2015

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comfort, love, poem, surrender

couple-dancing botero

Plenary

We meet next week. First time. Your mountain nest.
A hard or happy time–we can’t know yet.
(Both, I bet.) No worry, though: I know you
either way. And you know me (the one
who’s grinned so long her face could crack).
So when, with you, the tears come, full and free—
what luxury! Let’s cry together, love, clinging
tighter as the fireplace cools, between
the flannel sheets I’ll bring you as my present.
Let’s take a day or days to soothe and witness,
cling and cry… As if we’ve never cried before? No,
hardly that. We’ve cried forever. But as if
we could believe the crazy truth of us: that
with each other we can cry, and feel known,
feel safe, feel loved–at the very same time.

some day (a quote from Pierre Teilhard De Chardin)

27 Friday Feb 2015

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candle in cupped hand

Some day, after we have mastered the winds, the waves, the tides and gravity, we shall harness the energies of love. Then, for the second time in the history of the world, man will have discovered fire.       –Pierre Teilhard De Chardin

echo (thinking out loud)

17 Tuesday Feb 2015

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In every hello, there’s an echo of goodbye. (And in every goodbye, a hello? …Don’t know.)old people

“A Third Body” (a poem by Robert Bly)

10 Tuesday Feb 2015

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happiness, love, marriage, poem, robert bly, transience

cute-old-cuoples-6

A Third Body

A man and a woman sit near each other, and they do not long
at this moment to be older, or younger, nor born
in any other nation, or time, or place.
They are content to be where they are, talking or not-talking.
Their breaths together feed someone whom we do not know.
The man sees the way his fingers move;
he sees her hands close around a book she hands to him.
They obey a third body that they share in common.
They have made a promise to love that body.
Age may come, parting may come, death will come.
A man and a woman sit near each other;
as they breathe they feed someone we do not know,
someone we know of, whom we have never seen.
                                                     –Robert Bly

to fall (quote from Jorge Luis Borges)

21 Sunday Dec 2014

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bachalpsee-bachse-lake-switzerland

To fall in love is to create a religion that has a fallible god.  –Jorge Luis Borges

life hack (a tweet)

14 Sunday Dec 2014

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family, freedom, happiness, illusion, love, marriage, music, serenity

patty duke

Singing around the house is a good way to talk to yourself without people knowing you talk to yourself. #zen #Lifehack

 

fact (a tweet)

14 Sunday Dec 2014

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choice, love, memoir, surrender, thinking out loud, writing

 

pensive writer

I find it so very hard to write. But over and over I get hit with the fact that it’s so much harder not to.

the same (a tweet)

14 Sunday Dec 2014

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Buddha seatbelt

Self-reminder: we are all the same in everything but form.

tweet (a quote from Lao Tzu)

10 Wednesday Dec 2014

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Lao Tzu: “Without opening your door, you can open your heart to the world.” #zen #agoraphobia

mailbox agoraphobe

soothing (a tweet)

09 Tuesday Dec 2014

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cars road

I like, tonight, just hearing the cars go up and down the hill. I’ve always been a huge fan of the Doppler Effect.

“Genesis According to George Segal” (a poem by Robert Pinsky)

09 Tuesday Dec 2014

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george segal art

Above: “Street Crossing” (1992) by the American artist George Segal (1924-2000)

Robert Pinsky’s “Genesis According to George Segal”

The Spirit brooded on the water and made
The earth, and molded us out of earth. And then
The Spirit breathed Itself into our nostrils—

And rested. What was the Spirit waiting for?
An image of Its nature, a looking glass?
Glass also made of dust, of sand and fire.

Ordinary, enigmatic, we people waiting
In the terminal. A survivor at a wire fence,
Also waiting. Behind him, a tangle of bodies

Made out of plaster, which plasterers call mud.
The apprentice hurries with a hod of mud.
Particulate sand for glass. Milled flour for bread.

What are we waiting for? The hour glass
That measures all our time in trickling dust
Is also of dust and will return to dust—

So an old poem says. Men in a bread line
Out in the dusty street are silent, waiting
At the apportioning-place of daily bread.

At an old-fashioned radio’s wooden case
A man sits listening in a wooden chair.
A woman at a butcher block waits to cut.

What are we waiting for, in clouds of dust?
Or waiting for the past, particles of being
Settled and moist with life, then brittle again.

————————————————-

Extra cool thing: Robert Pinsky reads this poem aloud here:

http://www.newyorker.com/magazine/2014/12/15/genesis-according-george-segal?mbid=social_twitter

 

secret (a quote from C. S. Lewis)

06 Saturday Dec 2014

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compassion

Do not waste time bothering whether you “love” your neighbour; act as if you did. As soon as we do this we find one of the great secrets. When you are behaving as if you loved someone, you will presently come to love him.  –C. S. Lewis

social change (quote from Ram Dass)

18 Saturday Oct 2014

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trixiekissingshield

“I don’t think the political arena is where social change occurs. It follows. It always comes later. They’re just reactive—they’ve got pollsters in the White House. I mean, there’s the sole man in the Oval Office reading his polls to decide how to think. Which is great from our point of view. We do have an actor–we have just what we wanted. All we have to do is accept responsibility for the programming.”   –Ram Dass

( from a 1980s debate between RD and Timothy Leary:

https://www.youtube.com/watch?v=GMn31VvR6xI )

just (a quote from Ram Dass)

08 Wednesday Oct 2014

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“We’re all just walking each other home.” ―Ram Dass

two-kids-under-a-banana-leaf-in-the-rain-indonesia

 

Debt (a short story)

01 Wednesday Oct 2014

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separation1

Debt

I’ve never been the sort who closes doors on the past. Or, no, that’s not true. I close doors all the time–I just don’t keep them locked. My lifeworn family, ancient friends, antediluvian lovers–even the most distant and/or catastrophic of these relationships is like a bank account I still keep a little money in. (The minimum balance, sometimes: barely enough to warrant the paperwork.) And now and then—to my own surprise, usually—I’ll make a small deposit, or even, rarely, a withdrawal. I’ll look up a friend I haven’t talked to in many years and renew the correspondence for a little while before eventually, inevitably, I let it lapse again.

Late last summer I drove my daughter Becky to her freshman year at Eden College (as they might as well call it): a liberal-arts utopia blooming with marigolds, nasturtiums, and a left-wing agenda so unabashedly radical that it left me nostalgic for a world I’d thought had been eroded away–by time, by parody–years ago. To me the campus seemed a bubble, an oasis. At the very least, it was a clever and durable mirage, thriving, as it seemed, in the midst of a ramshackle, foreclosure-mottled Illinois town that had dried up when the Maytag plant closed–moved operations to Mexico–in 2004. Living as I did (and do) in a similarly dried-up Montana town (copper mine, Chile, 1983), I’d developed a bedouin’s gratitude for oases, not to mention a knack for finding them everywhere, whether they existed or not.

I was driving home from Eden now. For the first hour I cried and cried, because Becky is my beloved, my only child, and this would be my first year living far from her. Then for the ten or twelve hours of driving that followed the first, I listened to an audiobook of Lolita, as read–as insinuated–by Jeremy Irons, which slowly, inexorably, made me feel better.

I-90 took me through the heart of South Dakota, and, feeling so suddenly on the brim of a new life (it was too soon to tell, but already I felt myself tingling with my own genesis), I acted on an idea that had been simmering in my mind for a while—ever since I’d realized the college trip would take me through that part of the country. From my hotel in Rapid City I called up a boyfriend—a fiancé, to be more precise than need be, and my first real love—from thirty years ago.

We’d ended badly. No need to go into the how and why. I’m not even sure I need acknowledge that our break-up was entirely my fault–though it was, it was. Still, even without having seen him in all this time, that old bank account (to renew that yawnful metaphor) still felt open to me. I’d discovered his whereabouts and phone number via the internet, of course, though they’d been tougher than usual to find because his first and last name are both very common. But I’d always figured he’d eventually moved back to South Dakota, where his roots were. And so, it turned out, he had. I found him–the man I knew for sure was him–via a record of his $650 contribution to a (doomed) South Dakota senatorial campaign back in 2010.

So I called him–why not–and we ended up meeting for lunch the next day at the hotel/casino where he works as some sort of business manager. And it went fine—a bit lackluster, of course, since it’s almost always true that people I haven’t seen since we were younger turn out to have mellowed so much more than I have. Or maybe they’ve simply learned that useful skill of emotional caution that I’ve never been able—or, I guess, willing—to develop in myself. They see the past as having happened long ago, I think, whereas I seem, especially in contrast, to still be living it. It’s surely very easy for people to get the idea that I’ve never stopped thinking of them, even maybe that I’m obsessed, I don’t know. They must sense my yearning to re-engage them in moments we once shared—inside jokes, surprises, conflicts, turning points, endings.

I’m always on the threshold of asking—and sometimes I actually do ask: Remember that time when you said that thing? What did you mean when you said that? And how did you feel when I didn’t answer you right away, or later when I made a joke of it? Or how about that Thanksgiving at my house—remember how when you met my dad you were wearing your “Fuck Authority” (or something facsimilar) t-shirt? What was your impression of how that meeting went? And then, that night maybe a year later when–in the argument that ended us–I told you that I’d been sleeping with your best friend [trite but true], and you told me later that if you’d had a gun you would have killed yourself, did you mean that? Oh, honey, did you mean it literally, I mean, and does that distinction even matter, really? And how did you finally get past it all—by repression, forgetting, surrender? Or is there some other way I haven’t managed to learn yet?

Moreover (I want to ask but don’t, quite, which is why I’m asking now, I suppose), did you know that I spent a whole year mourning the end of us? That I would do my work, endure my social obligations, and then any time I had even a half-hour just to myself, I’d take that time to cry and cry? A whole year of that, almost to the day. You, in fact, were the impetus for my learning how to cry without making any noise. I was living with those people then, you may remember, and so I came to learn that skill, because of you. And it’s come in very handy in all the time that’s come and gone since, and I’m sincere when I say “thank you” for it.

I was twenty-one at the time. You were the first real loss I’d ever known, and you taught me how to be overwhelmed by grief and yet not—not what? Not die, for sure—but more important, not fold, not dry up: you taught me the art of going through life’s motions even when they feel completely meaningless. It was my first lesson—and there’ve been so many others along the way since, and surely many more on the road ahead—you taught me my first lesson in giving up while still going on, in surrendering without dying. You also taught me how time works—the ways it heals you, the scars it leaves. These were teachings that would come in so very handy in the thirty years that followed you, even to the point where I no longer need to tell you, or anyone, exactly when and how.

And here you are, sitting across from me now in your suit and tie, but your hair—which was graying even back then, I think—is still as bushy, as on the very brink of revolt, as ever. No beard, though. I miss the beard—you look a little empty without it. But of course you’re not empty. I saw your photographs on-line. I’d totally forgotten– or did I ever know?– how you loved photography, and also how in tune you were with nature, with all things wild, rustic, weathered, overgrown. (How did we end up together, honey, when I’m so obviously an “indoor” girl?) It turns out you’re in love with the way the mountains look at sunrise—and I suppose if I were to allow myself one resentment, it would be of the way you always let me sleep so late in the mornings. I wish you’d led the way more often. I wish I’d let you lead the way. But I know that whenever you tried to lead, I dragged my feet. So, no, that’s not your fault either, now that I think it through. And your political views are still so radical (this part of you remains as untamable as your hair)—that much is obvious just from your Facebook links. Still, for all that, my dad seemed to really like you—and I’m not sure whether that suggests something I never knew about him, or will never know about you, or, most likely, both never-knowings at once.

So here I am with you—with this guy, really, this middle-aged man whom I’d had to struggle to recognize through the bars of the cashier’s cage in the casino lobby, and who’d probably had to contain a certain visceral shock when he glanced out to find me there, the frowzy old me I’ve become, I mean. And it turns out, during the brief moments in our lunch-talk that aren’t, more or less, awkward, or, worse, pedestrian, that you’ve spent your life-since-me learning your own, completely separate lessons.

You talk, too briefly, about your own father, how it took you years to realize how rotten he’d been. And of course my first thought is to feel bad that I hadn’t seen this myself in those old days, that I couldn’t have studied the situation, then told you how things really were­­–not to brag, but I’m actually quite good at disillusioning people about their parents, just ask my husband—so you could get on sooner with the hard-labor process of letting him go. I never met your father, of course, and I don’t remember that you talked about him much back then. But still I must somehow have glimpsed him. I know this because when I think of him, and even when I think his name, “Emmett,” he appears (as if by lightning flash) as a tall slab of gray-black stone jutting upright out of dull mountain fog. He and Faulkner’s Abner Snopes are stored in the very same English-major memory cell; they share the same trope, form the same unyielding monolith in my mind, every time I remember them.

So he was why you finally got your law degree, and he was why you didn’t, even more finally, remain a lawyer. He was the reason you took all that time off from school to work for the railroad and the highway crew, two jobs that get mixed up in my mind, as if they were one single job, and all I really know about them is that you came home every night coated with tar. I’m sorry about that too—about not knowing more than that, I mean. I should have been paying attention, should have asked you why you took those jobs, and not only that, why they seemed to center you, make you feel worthy, make you feel at home, in ways that neither law school nor I myself ever could.

While I’m on a roll: I shouldn’t have felt so perpetually shamed by your general lack of shame, or by the way you never had money or a working car. I should have honored the way you kept trying to define yourself as yourself, and not merely as the opposite of someone else, which was the only way I myself knew how to do that sort of thing at the time. That frankness of yours—that grin you flashed as you watched me undress. The thin lines of asphalt that came to seem permanent, like tiny, curved tattoos beneath your fingernails. Instead I was embarrassed by your earthiness, embarrassed by you. How often I must have reddened, sighed, nagged, clenched my teeth, blurted it all out. I found you vulgar at a time when I was working hard–via the taintless, scentless breeze of “art”—to transcend my own inborn vulgarity. Still, however much I pretended otherwise, I’d come from the same hard world you did, which is probably why, from our very first conversation (on the landing between the second and third floors of our dormitory, and me very drunk on my twentieth birthday) you seemed so utterly familiar to me, so like home—and which, come to think of it, may be one among several remarkable reasons that my dad (who hardly ever liked anyone, by the way) liked you so very much.

And all this is occurring to me for the first time right now, honey, as I’m telling it to you.

 

never worry (quote from Mother Teresa)

30 Tuesday Sep 2014

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Never worry about numbers. Help one person at a time, and always start with the person nearest you. –MotherTeresa

Getting-help-crossing-the-river-resizecrop--

grok* (journal entry)

22 Monday Sep 2014

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acceptance, apophenia, autism, choice, comfort, family, grief, grokking, Hannah, illusion, journal, loss, love, memory, metaphor, motherhood, quote, robert heinlein, serendipity, slice of life, thinking out loud, zen

 

vintage-packaging-flower-seed-packets-from-thes_icnfe_4

(http://thepackaginginsider.com/vintage-packaging-flower-seed-packets-from-the-1800s/) (lovely!)

Journal entry, August 28, 2014

Cleaning house yesterday, on a forgotten shelf I found a shirt of Hannah’s. A stretchy Goodwill t-shirt, powder blue, with folksy flower-seed-packet art on the front. Minor stains, of course, plus a hole in the back collar where someone (I?) had clumsily lopped off the tag. [Shirt tags made Hannah itch.] I held the shirt to my face and breathed it in like an idiot seeking the flowers. But no, it was just that the shirtfront–and then the shirt’s inside–was the only part that hadn’t been exposed to nine years of dust.

And I believed the shirt still smelled like Hannah, believed that I could know–could grok*–her presence, her self, merely through these greedy inhalations of not-quite-random air. I sat on my bedroom floor and pulled the shirt onto my head (think of a blind bank-robber), and then, to a point far past absurdity and fast approaching asphyxia, I breathed in and out its ineffably Hannah smell. (Must, dust, detergent, every mundane staleness, but something of her there too–something.) I chose to feel myself awash in her essence. As in the many dreams I’d dreamed, hope-caught, throughout her life, I felt free once more to slip beneath the surface of Hannah’s embryonic, oceanic world, and to breathe, however feebly, underwater.

I chose to feel–and to believe–all this on such a primal level that the mind had no clue of the choice till it was made. But with a shrug, quite used by now to the heart’s vagaries, the mind humored us both. I nuzzled for one last deep second against the thread-worn seams that defined the shirt’s armpits. Then I pulled the shirt off and held it awhile. I dusted it, refolded it, and–ah, my darling girl, now what to do? Replace it on the forgotten shelf? Cleave it into rags? Throw it away? I couldn’t, can’t, decide this yet.

Ah yes, but still, how well I know: let go, let go, let go, let go.

——

http://en.wikipedia.org/wiki/Grok:

*Grok /ˈɡrɒk/ is a word coined by Robert A. Heinlein for his 1961 science-fiction novel, Stranger in a Strange Land, where it is defined as follows:

Grok means to understand so thoroughly that the observer becomes a part of the observed—to merge, blend, intermarry, lose identity in group experience. It means almost everything that we mean by religion, philosophy, and science—and it means as little to us (because of our Earthling assumptions) as color means to a blind man.

artistic (quote from Van Gogh)

22 Monday Sep 2014

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The more I think it over, the more I feel that there is nothing more truly artistic than to love people.    –Vincent Van Gogh

reunion

“Grace” (a song by U2)

09 Saturday Aug 2014

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https://www.youtube.com/watch?v=F-eCttFx2dg

old woman

July 7, 2004 (ten-year-old journal entry)

08 Friday Aug 2014

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July 7, 2004

When I say goodbye­–when I try to say goodbye—they put their arms around me, one from one side, one from the other. And they cling there. Henry says, Okay Beck, here’s the plan—we don’t let go and she never gets away.

Becky had a dream–she and Henry were chasing me.

It takes such courage to let me go—I must have done something wrong. It should be easier than this. Their lives shouldn’t suspend themselves in midair when I’m out of sight. It all makes me very nervous—I hate the goodbyeing. The long drawn-out process, the hug I have to wrench myself away from, the sad faces, hurt faces as if I’m betraying them by wanting something separate. I can’t walk into a room without their watching my every move. Today Becky tells me her tale of woe. Then Henry walks in and says, “When she’s done complaining to you, I get to be next.”

statue-juggling-plane-perfect-timing

clear (a quote from Thich Nhat Hanh)

02 Saturday Aug 2014

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The Buddha’s teachings on love are clear. It is possible to live twenty four hours a day in a state of love. Every movement, every glance, every thought, and every word can be infused with love.    –Thich Nhat Hanh

tiger and monkey

#peace (a tweet)

01 Friday Aug 2014

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We’ll know peace only once we finally see that there’s no They, there’s only We. Nor any There, but only Here. Nor any time but Now.

buddha dog

less ( a tweet)

25 Wednesday Jun 2014

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balance, choice, freedom, less, loss, love, metaphor, mijn imkertje, serenity, simplicity, surrender, tweet, zen

The joy of less: if I choose the narrow bed, any blanket will be wide enough to cover it.Image

time (a tweet)

04 Sunday May 2014

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I think it’s time we finally started believing in what we already know.

Image

 

 

 

 

fluff (quote by A. A. Milne)

12 Saturday Apr 2014

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If the person you are talking to doesn’t appear to be listening, be patient. It may simply be that he has a small piece of fluff in his ear.  –A. A. Milne

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